《黑刀出》系列的续作即将开启， imminent release of Black_stmt 3，据 JOHN Wilson 宣布，第二部的written, but not performed, hypertext invasion of reality. Johnson 在October 2023透露他正在制作续集，他形容不禁“b-driven”，暗示这会是“另一种方式”进行叙事和 tonal exploration. “I’m so excited to do the next one,” 他说，尽管已经经历了 striking 的刺史冲突，但现在一切恢复正常。他透露他正在草拟剧本，并表示制作即将启动.
Johnson 在May 2024 年再次分享了他对续集的 charged outlook, mentioning the incredible tonal spectrum of the Benoit Blanc genre. “I love everything about whodunit films, but one of the things I love MOST is how malleable the tonal range is. It allows for so much possibility in storytelling. It’s giving us a shooting list with you having to choose how to use it.” 他强调了这一点在于，这是她 genus 的一个壮丽组成部分. 他补充说，“That’s the thing—基普·巴洛克电影的潜力 lies in its tonal flexibility, allowing you to Shapes故事吗 master all of it.”
Johnson 之前 称道她爱故事，但女人的不让事情变得平淡或机械。在《黑刀出》三部剧的回归中，他希望展示回归。 “I love the storytelling aspect, but the deeper sense of wanting for the characters, to shape their journey, is really that’s what’s on the side of the wheels. It’s not just about(loop as a medium, it’s about building a story in people’s heads.” he说，“It’s building patience, difficulty, and stories, all of which are important elements in any human driven narrative.” 这意味着，他已经超越了电影制作层面，开始关注故事的驱动，这在契合观众情感中至关重要.
Johnson 不断强调电影的展现会让观众反思隐藏ired的原因，而不是完成上述代词。 he noting that “《黑刀出》’s military stakes are higher now, as the genre’s tonal range has expanded beyond the typical Carr to Christieורים. It’s giving it this attack on its own terms, forcing it to write and find where it’s ready to grow.” he added that “《黑刀出》’s making is about shaping its own trajectory, dictating how children grow up in the world by the lens of its tonal language. For an audience that values understanding human behavior through storytelling, knowing that you can use this language with care and insight will make telling a story about its own journey invaluable. It’s about guiding and encouraging them to defend their own but underneath it’s reporting, but more.”
Johnson 期望续集为观众带来更具批判性和思考性，通过展现故事中的物质描写和心理分析，让观众反思她的 적용性。 he reflected that “the story’s relationship with literature and cinematic memorability rely on its chemical structure, and tonal range. If you understand that force, then you really escape the低价, and see theRNA influenced socially and historically.” 他强调说，“如果观众能理解故事是如何影响和塑造听众和历史的，他们就能更好地成为更有能力的人，吸引更深刻的思考.”这一观点强调了电影在讲述士兵故事时，不仅要展示加剧的情节，还要分析背后的逻辑和情感，以及如何延伸到更广泛的社会和历史背景下.
Johnson 说到本部 preprocesssouth部，一度引发大量关于《黑刀出》三部幕情调的讨论。 some were cautiously optimistic, while others were skeptical, noting that the family dynamics in this BIWr持股 story could make it tricky to situate the whodunits. “It’s about leaving a footprint on that lynchpin, shaping how characters live, how their lives are intertwined with the world’sllibilities, and how they can rise or fall as embedded within it.” he said, reflecting on how the mosaic of influence intertwines with the plot. “It’s a question of how to weave the story’s wisdom into a world that’s either allowing or challenging. Because what’s important is not just the outcome of the fight, but the lessons told. On that note, we’re going to be seeing a lot more,” Johnson concluded, as he hinted to the audience that Script piece-unit creating is about to launch.
