Glenn Close, a celebrated actress with a career spanning several decades, identifies her 1987 thriller, Fatal Attraction, as the pivotal film that shifted audience perception of her. Prior to this role, Close had been known for diverse characters, but Fatal Attraction showcased a new dimension of her acting prowess, revealing a captivating sensuality that she believes audiences hadn’t previously associated with her. Her portrayal of Alex Forrest, a woman embroiled in a tumultuous affair with a married man, resonated deeply with viewers and cemented her versatility as a performer. The film’s success, marked by its eight-week reign at the top of the box office charts and its status as the second highest-grossing film of 1987, propelled Close further into the spotlight. This commercial triumph was coupled with critical acclaim, resulting in six Academy Award nominations, including one for Close’s performance. Fatal Attraction became a cultural touchstone, sparking conversations about relationships, infidelity, and mental health.
The film’s narrative centers on Alex Forrest’s obsessive pursuit of Dan Gallagher, played by Michael Douglas, after their brief affair. Forrest’s descent into instability and her increasingly desperate attempts to maintain a connection with Gallagher create a suspenseful and unsettling atmosphere. Close’s nuanced portrayal of Forrest’s complex psychological state garnered significant praise, showcasing her ability to embody characters with emotional depth and vulnerability. The film’s ending, where Forrest is ultimately killed, became a subject of debate and contributed to the film’s enduring impact on popular culture. Fatal Attraction’s exploration of obsession and its consequences resonated with audiences and solidified Close’s reputation as an actress capable of delivering powerful and memorable performances.
Beyond the professional acclaim she received for Fatal Attraction, Close has also been candid about her personal life, particularly her romantic relationships. Following her 2015 divorce from David Shaw, her third husband, Close has remained single and expresses contentment with her current status. Despite the societal pressures often associated with finding a partner, Close embraces her singlehood and prioritizes her own comfort and happiness. In a recent interview, she humorously dismissed the notion of using dating apps, emphasizing her shyness and preference for a less socially demanding lifestyle. This candidness offers a refreshing perspective on relationships and challenges the expectation that individuals must constantly seek romantic partnerships.
Close’s previous marriages, to James Marlas and Cabot Wade, as well as her relationship with John Starke, with whom she shares a daughter, Annie Starke Albu, provide context to her current views on relationships. Having experienced different forms of partnership throughout her life, Close’s decision to embrace singlehood reflects a conscious choice based on self-awareness and a desire for personal fulfillment. Her focus on her own well-being underscores the importance of prioritizing individual happiness and challenges the notion that romantic relationships are a universal necessity.
Close’s illustrious career extends far beyond Fatal Attraction. She has consistently taken on challenging and diverse roles, solidifying her status as a respected and versatile actress. Among her notable performances are those in Dangerous Liaisons, The Wife, Hillbilly Elegy, Air Force One, and 101 Dalmatians. Her work spans various genres, demonstrating her ability to embody characters from different backgrounds and time periods. Her performance in the 1995 television film Serving in Silence: The Margarethe Cammermeyer Story earned her an Emmy Award, further highlighting her versatility and talent.
Despite receiving eight Academy Award nominations throughout her career, Close has yet to win the coveted award. However, she maintains a philosophical perspective on this, emphasizing the intrinsic satisfaction she derives from her work. For Close, the creative process itself is the ultimate reward, and external recognition, while appreciated, is not the primary motivator. This perspective reflects a deep commitment to her craft and a genuine passion for acting. Her statement that it "might be cool to never get one" highlights her unconventional approach to success and her refusal to be defined by awards or accolades. Close’s focus remains on the work itself, the exploration of characters, and the continued pursuit of artistic excellence.
