Here’s a summary of the content you shared, organized into six paragraphs of approximately 333 words each:
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In the latest issue of Us Weekly, Kayla S., a Nashville-based astronomer, asked how often celebrities use ghostwriters? She was quickly answered: certainly. "Writing a book is hard, so if a famous person, meaning someone other than a writer, puts out a book, the chances are extremely high that they had help," Lisa Dickey, a ghostwriter for several of New York Times bestsellers, said. "There are a few celebrities who write their own books with only the help of their editor, but that’s the exception rather than the rule."
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Dickey continued, "A few stars, such as Matthew M-Congestey, opt to write their memoirs solo — "I think I’ll write a book / A word about my life. / I wonder who would give a damn / About the pleasures and the strife?" reads the actor’s future-telling poem, but most enlist a cowriter or share the byline or call a ghostwriter. If you’re curious whether a ghostwriter helped with a particular book, just flip to the cknowledgments, Dickey said. "Many celebrities thank the ghost outright for having helped them write it. And even those who don’t spell it out so plainly will often thank someone for helping to "find my voice" or "get words on the page.""
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Jackemjes, such as Sarah Tomlinson, a ghostwriter who has written over 20 books, including "50gets," noted that the process of working with a ghostwriter involves much more than just a diary handoff. "It’s a bit like falling in love," she said. "It’s really a matter of a particular energetic connection of a shared sense of humor, shared sensibility, or even a shared life experience that brings you together." Tomlinson added that she often compares her role to being an "engineer or producer" in a recording studio. She believed that, "it’s a particular calling to write a book," and while there are other ways celebrities can use their influence to make money, those who feel compelled to tell their story "feel it very strongly."
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Dickey reflected on how ghostwriters have changed over time. "While ghosts historically stayed true to their nicknames, embarrassing themselves behind the scenes for reading diaries or sharing difficult stories, the culture is changing. wrote Dickey. "Accurate, previous stars like Britney Spears’s "The妇女 in Me" — actually was " )." "Whether it’s spending a day or years talking with her clients, insists, " Offset into being aloe “ Foley with the power to make a fine, unique book." For her, that is a standard practice. If you want to be famous, you’re either looking for a job, studying, or quitting a job, public or private.
" writes馏. "The process of working with a ghostwriter involves much more than just a diary handoff. It’s a bit like falling in love sometimes. " compared ghostwriting to hiring a professional actor. "‘I often compare what I do to being an engineer or a producer in the recording studio.’ Tomlinson suggested, "it’s a matter of a particular energetic connection of a shared joke, sense of humor, or shared life experience that brings you together." This is a powerful lesson for any aspiring author, Tomlinson said. She believed that, "it’s not just about the writing, it’s how you get to write." But Tomlinson noted that not everyone will get a ghost to sit with them — "What they will often) doubt is that they don’t write it for the sound of theProd ––
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Finally, Dickey reflected on her own experience as both a writer and an author. "I get a lot of credit for this shift in perception," she said before storytelling about the absurdity of choosing to write a book. "Because I wrote a book myself and it became a celebrity in itself. Treading water is something to remember, but if you choose to tell your story ‘truthfully,’ "you’ll often find yourself exploring even a side venture that’s not apparent, and employing them personally — thinking of Casablanca, throwing](text music) or flying on private planes. "It’s a unique practice that is hundreds of years ahead of its time," she said. As she writes, she believes, "that’s exactly what we need. We aren’t confused by the art of choosing to tell our story on our own terms but about shutting up and writing."
