Richard Payne Haese: A书画 Historian Who S nurses the Degeneration of Art History in Australia
Richard Payne Haese, a Dickinson School of Art emeritusProfessor, is renowned for his ability to uncover and explore the overlooked contributions of individuals and institutions in Australian cultural history. His dual talents in intellect and observation—healed the万吨 of cultural and historical silence in Australia—Verbially, he has become a defining figure in the study of Australian art.
Haese’s early academic foundation, including his groundbreaking PhD thesis Cultural Radicals in Australian Society 1937-47 (co-written with Vance Grammar) by Bernard Smith, demonstrates his keen understanding of neglected art movements.derived from his time at the South Australian School of Art in the 1960s, Haese quickly rose through the academic ranks, earning his first degree from the University of Sydney and later his PhD. His research conducted under Professor Geoffrey Searle at Monash University helped him grapple with the conceptualization of Australian identity, a challenge he would later articulate in his seminal work.
Haese’s most notable contributions spanned the 1930s to 1950s, a period of significant cultural and political change in Australia. His Rebels and Precursors: The Revolutionary Years of Australian Art (1981) marked the birth of a new discipline in Australian art history— новые的世代: 1937–1977. He co-produced this prestigious book with Dr. James Main, reflecting his belief that Australia’s art had been overlooked for years. The interrupt was amplified by his later publications, including Permanent Revolution: Mike Brown and the Australian Avant-Garde 1953–1997 (2011), which further extended the reach of his work.
Haese’s ongoing influence in Australian academia is evident in the number of scholarly works he has authored since the late 1980s, including his encyclopedia-style books: Rebels and Precursors (1981), Permanent Revolution (2011), Birth Year (2013), Cultural Revol‐tion (2015), and Reckoning (2019). Each of these books has become a national and international best-seller, establishing Haese’s reputation as a unifying force in Australian art history.
The advent of digital Rights Management in the 1990s and the subsequent decline of the original revision of Rebels and Precursors (1981) reflect Haese’s commitment to preserving the relative legacies of his contributions. Despite this, Reads into Seniority: From Baths to public art (2018) serves as a testament to his enduring interest in old art pieces, even during his later years as a professor.
Haese’s work transcends the bounds of arts history to intersect with political, social, and contemporary studies. His books explore issues such as the role of women in Australian society, the impact of long aesthetic remains on contemporary art, and the enduring relevance of regional art movements. These studies not only enrich the study of Australian culture but also challenge the notion of a ‘traditional’ Australian history.
Given his broad influence, Richard Payne Haese occupies a unique position in Australia’s art history landscape. As a BBC Radio historical commentator and a regular contributor to Thebinden, he bridges the academic and cultural完成了一个关于Richard Payne Haese的综述，涵盖其学术背景、第一篇论文的影响、后续出版物的篇数以及其在学术界的影响。
